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MAX MARA Spring Summer 2026 Milan - Full Show
DescriptionIan Griffiths looked to Madame de Pompadour and Rococo style as a starting point for Max Mara, balancing 18th-century references with 1980s tailoring. The collection moved between historical detail and sleek modernity: sleeveless trench dresses with shoulder frills, sharp suiting, cropped knits and jackets emphasizing More
Ian Griffiths looked to Madame de Pompadour and Rococo style as a starting point for Max Mara, balancing 18th-century references with 1980s tailoring. The collection moved between historical detail and sleek modernity: sleeveless trench dresses with shoulder frills, sharp suiting, cropped knits and jackets emphasizing the midriff, and harness-like elastics integrated into tailoring.
Textures and decoration appeared in organza petals, garlands, and flourishes at hips and shoulders, creating ambiguity between Rococo ornament and nods to David Bowie’s Pierrot imagery. While Max Mara’s classic outerwear was less central, cropped trenches and slim suiting stood out within a palette dominated by beige and camel, with occasional floral and aquatic motifs adding contrast.
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