why does wicked look like that?

Head to http://squarespace.com/minale to save 10% off your first purchase of a website or a domain! ➤ NEWSLETTER / ESSAYS https://minale.substack.com/ ➤ PRODUCTION written by Mina Le edited by Charlee Reiff ➤ SOCIALS Instagram: http://instagram.com/gremlita TikTok: https://www.tiktok.com/@gremlita Letterboxd: http://boxd.it/7YgX ➤ CONTACT Business email: gremlitaa@gmail.com ➤ SOURCES The Making of the Wizard of Oz: Movie Magic and Studio Power in the Prime of MGM by Aljean Harmetz (1998) https://www.sensesofcinema.com/2009/feature-articles/notes-on-some-limits-of-technicolor-the-antonioni-case/ https://www.smithsonianmag.com/smithsonian-institution/without-camera-emerald-city-would-have-been-color-mud-180961463/ https://lwlies.com/articles/history-of-technicolor-natalie-and-herbert-kalmus/ The Road to Oz: The Evolution, Creation, and Legacy of a Motion Picture Masterpiece by Jay Scarfone & William Stillman (2019) https://www.eastman.org/technicolor/decades/1935-1955 https://www.eastman.org/technicolor/decades/1955-1975 Technicolor Movies: The History of Dye-Transfer Printing by Richard W. Haines (1993) https://www.vox.com/culture/22840526/colors-movies-tv-gray-digital-color-sludge https://mubi.com/en/notebook/posts/the-ideas-behind-the-image-cinematographer-ed-lachman-discusses-the-velvet-underground https://www.vulture.com/article/tv-shows-too-dark-cinematographer-advice.html https://www.theglobeandmail.com/arts/film/article-wicked-director-jon-m-chu-hopes-new-adapta