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Autumn/Winter 2026 Collection
DescriptionAW26 PART I TÍR NA NÓG Depicted by Jack B Yeats - In Tír na nÓg (1936) Searching for the land of eternal youth The immortality of clothes. Shearlings and tinsel tweeds, old tapestries, patchworked and repurposed florals loved and lived Hand-me-downed, found Exploration. Bomber satin, open dressed, dressed and diMore
AW26
PART I
TÍR NA NÓG
Depicted by Jack B Yeats -
In Tír na nÓg (1936)
Searching for the land of eternal youth
The immortality of clothes. Shearlings and tinsel tweeds, old tapestries,
patchworked and repurposed florals
loved and lived
Hand-me-downed, found
Exploration. Bomber satin, open dressed, dressed and distressed
Liminal bodies caught in-between there and here.
PART II
PONY KID
“I had three fillies, white fillies, that day in Smithfield. I was trying to get sale for them that day so I just rub them up a bit and so you came on the scene like and I was full of hairs like.”
Realism & mysticism - distilled down to a proposition of garments, placed & misplaced
Centaur bustles, curly pretend fur
Sliced knits & sportswear
asphalt grey
masculinities with femininities.
Lace boiler suits, frills on your tracksuit.
adidasiii. Sporting breed.
PART III
WEIRD SISTERS
The Cuala Press
Bridled, blinkered. Piercing bits and metal loops.
Hand-cut lace, pierced and pieced back together
make and mend
Silk taffeta prize ribbon gowns, in peat green.
Cocktail dresses with grabbed pockets.
Considered in the hand, twisted on the body.
Monster ballgowns.
“In the year of the big wind.”
Styled by Robbie Spencer at Art Partner
Casting by Julia Lange Casting at Art Partner
Hair by Anthony Turner at Jolly Collective
Make-up by Thomas de Kluyver at Art Partner
Nails by Ama Quashie at Streeters
Music by Studio Frédéric Sanchez
Production by Holmes Production
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