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R+Co / Hannah [Quick Cuts]
DescriptionSECTION 1 – Recession to top of the ear. SIDEBURN – Tip of the blade creates length. SECTION 2 – Curved section from the recession into the nape. TRANSITION – Flat of the blade creates lengths around the ear. DISCONNECT – The section above the ear disconnects the front to the back, creating an undercut. UNDERCUT – ConMore
SECTION 1 – Recession to top of the ear.
SIDEBURN – Tip of the blade creates length.
SECTION 2 – Curved section from the recession into the nape.
TRANSITION – Flat of the blade creates lengths around the ear.
DISCONNECT – The section above the ear disconnects the front to the back, creating an undercut.
UNDERCUT – Continue separating side and back by undercutting section above the ear.
SECTION – Curved sections from the front to the back allow visual continuity when creating texture.
OVERCUT
BLENDING – Using tip of the blade, connecting sides into the top. // Continue blending and removing weight.
DETAILS – Using tip of the blade, starting in the center of the nape, cut from shorter to longer and pushing the weight out to the side and corner.
NAPE – Tip of blade removes weight and creates texture simultaneously.
HAIRLINE – Using flat of the blade, remove weight and soften the edge of the outline.
SECTION 2 – Curved section from the recession to the top of the ear.
SIDEBURN – Length will vary cut to cut, but using the razor allows the softness needed for Hannah.
OVERCUT
TRANSITION – Blending overcut into the nape.
UNDERCUT – Separates front and back.
NAPE – Flat of the blade removes weight and creates a softness to build outside line.
TRANSITION – Longer stroke with the razor creates texture and blends back to front.
SIGNATURE – Using the tip of the blade, to finalize lengths and look. // Weaving creates short and longer lengths that disrupt even this short haircut.
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