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Mowalola Spring Summer 2027 Runway Show - The Hunger

Sep 30, 2026 · 6.6K views

In this video

Format
Runway
Category
ClothingFragrance
Houses
Mowalola
Products & items
leather dress
Materials & techniques
leatherchiffon

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DescriptionMowalola Spring Summer 2027 — The Hunger. Full runway show. For Spring/Summer 2027, Mowalola returns, laser-focused, to the codes that first defined her brand’s inception: autonomy, sensuality and a radical liberation of self. Reduced, refined and reconsidered with exacting finesse, that approach reveals clarity – powMore
Mowalola Spring Summer 2027 — The Hunger. Full runway show. For Spring/Summer 2027, Mowalola returns, laser-focused, to the codes that first defined her brand’s inception: autonomy, sensuality and a radical liberation of self. Reduced, refined and reconsidered with exacting finesse, that approach reveals clarity – powered by an insatiable hunger for self-discovery and expression. The female body appears central to this investigation: seen through second-skin chiffon, or accentuated by linear leathers, through Mowalola’s lens it assumes an almost otherworldly power. Through a skin tonal palette, the line between the body and its decoration is obscured and, for the first time, the body itself becomes the collection with the introduction of a Mowalola fragrance: an intoxicating bullet of sweat, smoke and sweet, dark berries. Amidst The Hunger’s purity of form, texture and materiality become key. Through their interplay, delicacy is amplified by its proximity to strength: a reflection of the multifaceted nature of the female experience (archetypes delineated in Queen of the Damned, The Cell and Female Perversion). The ethereality of low-slung organza pencil skirts appears pronounced in contrast to their snakeskin waistbands; suede underwear exists alongside glossy leathers; perspex jewellery emphasises the animalistic nature of tactile skins. Lingerie is conceived as office-wear; hyper-minimalist tailoring rendered sheer. “I’m running my company, and I wouldn’t dress like a ‘C

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