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Pagoda Jacket Fitting: Crookening and Pattern Corrections – ISOT Bonus Lesson 34 – Part 1

May 29, 2026 · 6.9K views

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Format
Tutorial
Category
Clothing
People
RezaHost
Products & items
jacket
Styles & eras
pagoda model

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DescriptionThis part of ISOT Bonus Lesson 34 explains advanced Pagoda jacket fitting corrections, with a main focus on crookening. Crookening is a fitting technique used to shift the front panels towards the centre and improve the way the jacket covers the body. In this lesson, Reza explains the principle behind the technique, hMore
This part of ISOT Bonus Lesson 34 explains advanced Pagoda jacket fitting corrections, with a main focus on crookening. Crookening is a fitting technique used to shift the front panels towards the centre and improve the way the jacket covers the body. In this lesson, Reza explains the principle behind the technique, how it affects the front panel and underarm seam, and how the correction appears on the actual Pagoda jacket. This lesson shows the complete fitting logic: the visible fault on the body, the animated pattern correction, the cutting or alteration principle behind it, and the immediate result after the correction has been applied. Unlike ordinary fitting explanations, this is not just a list of problems and fixes. The purpose is to show why the fault appears, what has to change on the pattern, and how that pattern change affects the jacket on the body. In this lesson, you will see: • Seam allowance, inlay and sewing lines explained • The grid principle of pattern cutting • Three important bespoke fitting principles • How gathering the lapel affects the front of the jacket • How to lower the back panel, also known as dropping the back • How crookening shifts the front panel and displaces the underarm seam forward • The before-and-after result on the actual Pagoda jacket This is Part 1 of ISOT Bonus Lesson 34 for the Pagoda Model. The Pagoda Model is the advanced model in the ISOT Online Coat Making Course, and this bonus lesson focuses on advanced fitting corre

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